This policy describes how the University ensures that its activities comply with copyright law and the various copyright licences that it holds.
This policy describes how the University ensures that its activities comply with copyright law and the various copyright licences that it holds.
Note that the University's policies relating to intellectual property created by BSU employees and students are explained separately in the Student General Regulations, the Terms and Conditions - Academic, and the Terms and Conditions - Professional Services.
- Bath Spa University is committed to complying with applicable copyright legislation and the terms of the copyright licences held by the University.
- It is the responsibility of individual members of staff to ensure their actions are compliant with applicable copyright legislation and the terms of the copyright licences held by the University.
- The University will make reasonable efforts to ensure that its staff and students are aware of applicable copyright legislation and any aspects of the copyright licences held by the University that are likely to apply to their activities.
- Unauthorised copying or non-compliance with the terms of the University's copyright licences may therefore be subject to the University's disciplinary procedure, especially where the infringing copying is shown to have been extensive, systematic, or in deliberate disregard for copyright advice offered by the University.
- Materials or activities that do not comply with applicable copyright legislation or the terms of the University's copyright licences may be immediately deleted, forfeited, suspended, or removed by the University.
- The University's licence from the Copyright Licensing Agency (CLA) permits only "Designated Persons" to make digital copies and distribute them to students via a secure course collection, for example in a password-protected Virtual Learning Environment. The making and distribution of digital copies by anyone other than designated persons will be treated by the University as unauthorised copying.
- The University will appoint named individuals to the role of designated person upon their successful completion of a training programme arranged by the University's CLA Licence Co-ordinator. A list of designated persons will be published on the University website.
Only "designated persons" are authorised to prepare and distribute digital copies made under the terms of the University's CLA Licence. This applies to scans of copyrighted material which are distributed via Minerva.
These designated persons are:
Library and Learning Services
- Alison Davidson
- Peter Reid
- Susanne Sutherland
- Richard Taylor
Bath School of Art and Design
- Emmanuelle Ginn
- Sue Beech
- Clare Brandram-Jones
- Kirsty Jackson
- Sarah Squires
- Jade Fisher
Institute for Education
- Molly Malbran-Nixon
College of Liberal Arts
- Lynda Adourian
- Abbi Cross
- Amy Hornblow
- Kirsty Folan
- Charlotte Bagshaw
- Sebastian Davies
Academic staff can request that extracts are scanned from in-copyright books or journals for upload into Minerva. Library staff will check requests against the terms of the University's CLA Copyright Licence and (where possible) supply links for upload, with School administrative staff preparing the scans. Links to PDF scans prepared for one module must not be copied into other Minerva modules/courses.
All requests must be made through the online form for scanning requests.
What is copyright?
Copyright protects the creators of intellectual property whilst also recognising the need for use to be made of their works. A generally accepted principle of copyright is that ideas cannot be copyrighted, only the expression of ideas, for example in a published book. Copyright is an automatic right conferred upon the creator of a work, and includes both economic rights (eg the right to licence a manuscript for publication) and moral rights (eg the right to be attributed as the author of a work).
How long does copyright last?
In the UK, copyright lasts for a fixed duration according to the type of material. Under the terms of the 1988 Copyright Act:-
- Copyright in a literary, dramatic, musical or artistic work lasts for the life of the author plus 70 years from the end of the year in which he/she died.
- Copyright in a film expires 70 years after the end of the year in which the death occurs of the last to survive of the principal director, the authors of the screenplay and dialogue, and the composer of any music specially created for the film.
- Copyright in a sound recording expires 50 years from the end of the year in which it was made or, if released during this time, 50 years from the end of the year of release.
Why does the University need to buy copyright licences?
Under the 1988 Copyright Act there are a number of exceptions to copyright protection that allow, for example, single copies of short extracts from a protected work to be made for the purposes of non-commercial research or private study. However these exceptions are extremely limited and the activities of the University would be curtailed if we relied on them alone.
Which copyright licences does the University hold?
Can I make multiple photocopies of extracts from a book or journal and distribute them to my students?
Yes, as long as each extract meets the conditions of the CLA Licence. The CLA Licence allows multiple photocopies to be made by employees of the University and supplied to other employees or registered students. Note that the CLA Licence places a number of conditions on the making and supply of photocopies:-
- The University must own an original copy of the work being copied
- Works can only be copied up to specified extent limits (the greater of 10% or one journal article/book chapter)
- Some categories of material are excluded from the CLA Licence, including printed music, maps and charts
- Some works are excluded from the Licence. The CLA provide a search engine that allows you to check whether a particular work is covered.
- A printed course pack should not constitute a work that could be substituted for a published work.
- Multiple print copies "shall not exceed the number needed to ensure that each recipient of instruction or student and each teacher has one Paper Copy".
- During a CLA compliance audit, a module leader might be required to give the CLA a "list of course packs created during a term" and "a sample of paper copies from course packs".
Can extracts from books or journals be scanned and uploaded into Minerva for a particular module?
Yes, as long as each extract meets the conditions of the CLA Licence. All scans must be requested through the CLA scanning request form (login with your BSU Google password).
Library staff will check your requests against the various terms of the Licence. Where possible, a link to a CLA-compliant scan will be provided, which can be uploaded into Minerva. See https://youtu.be/qc_aaC1_sqg
Please note that in certain circumstances it will not be possible for us to supply a scan. For example if a work is excluded from the Licence, or if you have asked us to copy a greater amount of a work than the Licence permits (as with photocopies, the 'extent limit' is the greater of 10% or one journal article/book chapter).
There may also be a delay if the Library needs to purchase an original copy of your requested extract. It is a condition of the Licence that the University must hold original copies of scanned works.
Can I scan extracts from a book or journal and upload them into Minerva for a particular module?
No, academic staff must not personally make scans and upload them into Minerva. In common with many universities, BSU only allows “designated persons” to prepare scans, who have received training in CLA processes. This helps ensure we are compliant with the complex terms of the Licence. The University’s copyright policy states that “The making and distribution of digital copies by anyone other than designated persons will be treated by the University as unauthorised copying.”
Can I copy CLA scans from one Minerva module to another?
No, this is not permitted by the CLA Licence. Each scanned document must have a cover sheet that names the module it was prepared for. Only students from that module (and course tutors) are allowed to download a CLA document from Minerva and print out one copy. If the same extract is needed for different modules, please enter the module codes, module names, and numbers of students in each cohort via the CLA scanning request form.
Can I copy images from books and journals that are covered by the CLA Licence?
Yes, but all the conditions applied by the CLA Licence to multiple photocopies and scanned extracts will also apply to images. Scans of images must therefore be requested through the CLA scanning request form.
- The Licence allows the disembedding of a part-page image.
- “Where an image is displayed in a lecture presentation… it is acceptable to use an abbreviated form of words noting ‘Copied under CLA Licence – please refer to the full Copyright Notice’ subject to the full Copyright Notice being detailed elsewhere.”
In addition to this, there are other sources of images that can be legally copied, including:-
- Bridgeman Education (a Library database subscription)
- Google Images Advanced Search (limit to “free to use or share” results)
- Flickr Creative Commons
- Windows Clip Art
Note that such resources will still have licence conditions that may, for example, require attribution to the original creator.
Can I copy printed music?
Printed music cannot be copied under the CLA Licence because it is an “excluded category”. However:-
- The Music Publishers’ Association’s Code of Fair Practice allows copying under certain conditions. Note that this Code of Fair Practice cannot be used or applied unless the copyright owner's name is listed in Appendix C of the Code and on the MPA website. It cannot be used or applied to imported publications.
- The recently amended Section 32 of the 1988 Copyright Act states that "Fair dealing with a work for the sole purpose of illustration for instruction does not infringe copyright in the work". Copies must be made by a person giving or receiving instruction, “accompanied by a sufficient acknowledgement”, and the instruction must be for a non-commercial purpose. The Act does not define "fair" but case law suggests that no more than a short extract should be copied. Long-term storage of any extracts, beyond the immediate teaching context, must be avoided.
- In the absence of any available licence to Higher Education that permits the copying of musical works, Section 36 of the 1988 Copyright Act permits the reprographic copying of up to 5% of a musical work in any one year “by or on behalf of an educational establishment for the purposes of instruction”. This must be “accompanied by a sufficient acknowledgement” and the instruction must be for a non-commercial purpose. These conditions would certainly exclude the upload of extracts to a publicly accessible website, where it would not be possible to guarantee use “for the purposes of instruction”. In addition, academic staff must satisfy themselves that no-one else has copied an extract from the same work (the 5% limit is for the whole institution).
Can I copy out-of-copyright works without reference to the CLA Licence?
Generally, yes, but be careful – there may be active copyrights in a work that one might assume is out-of-copyright. For example, although Shakespeare has clearly been dead for longer than 70 years, there will be active typographical copyright in recent editions of his work, lasting for 25 years from the end of the year in which the edition was first published. Similarly with photographs of artistic work, although the original artistic work may be out of copyright, there may be active copyright in a photograph of that artistic work. These rights are often held by museums and galleries, and in some cases (eg Getty Images) copyright holders actively track the use of infringing copies.
Can I distribute digital or multiple paper copies of my own published work, without reference to the CLA Licence?
This depends on the detail of the agreement that you made with your publisher - no generalisations can be made. There are normally other copyright holders in the published version of your work. For example, a publisher will hold copyright in the typographical arrangement of the work (ie the layout); photographers or illustrators will often hold copyrights; and you may have written the work with co-authors. In some cases you will need to seek the written permission of your publisher before copies can be made. If you receive permission to copy outside the CLA Licence, it may avoid future misunderstandings if you add a label to your copies explaining the arrangement that has allowed them to be made. Please inform email@example.com so we can keep a record of your agreement.
Can academic staff upload excerpts from DVDs and CDs into Minerva for teaching purposes?
Following recent changes to the 1988 Copyright Act, JISC Legal have offered new advice on this matter:-
"Yes - provided the purpose of placing the clips in the VLE is limited to illustration for instruction and the copying is fair in that it does not negatively impact on the market for the original work then the exception permits the copies of the clips being placed in the VLE. This is s.32 of the Copyright, Designs and Patents Act 1998 (CDPA). The use must be non-commercial and sufficiently acknowledged. Who has access to the VLE is a factor to be considered when assessing whether the use is fair. Restricting access to the learners who are enrolled on the particular course will support the contention that the use is fair."
- "Fair dealing" is a defence, not a guaranteed right to copy. "Fair" is not defined in the Copyright Act.
- Uploading excerpts to YouTube for public viewing would not be considered "instruction".
- Long-term storage of any extracts, beyond the immediate teaching context, should be avoided.
Do I need to seek permission from copyright holders in order to quote their work in my published research?
Section 30 of the Copyright Act states that:-
“(1ZA) Copyright in a work is not infringed by the use of a quotation from the work (whether for criticism or review or otherwise) provided that:-
(a) the work has been made available to the public,
(b) the use of the quotation is fair dealing with the work,
(c) the extent of the quotation is no more than is required by the specific purpose for which it is used, and
(d) the quotation is accompanied by a sufficient acknowledgement (unless this would be impossible for reasons of practicality or otherwise).”
Quotation will not be "fair" if it negatively impacts on the market for the original work. For example, if your draft journal article contains an in-copyright photograph of a painting, a publisher would still have to licence this by paying the copyright holder(s).