Kate Pullinger writes novels, short stories, and digital fiction, including multimedia interactive collaborative works. Her most recent novel, a media-rich novel for smartphones, Jellybone, is published in spring 2017. Landing Gear was published in 2014 (Doubleday Random House/ Touchstone Simon and Schuster); it was longlisted for Canada Reads in 2016. The novel expands and augments the story of her digital work, Flight Paths. The Mistress of Nothing won the Governor General's Award for Fiction in 2009, Canada's oldest and most prestigious literary prize; it was longlisted for both the Giller Prize and the Dublin IMPAC Award.
In 2014, Kate Pullinger created a digital war memorial to mark the centenary of the beginning of World War One. 'Letter to an Unknown Soldier', co-created by theatre-maker and novelist Neil Bartlett, invited people to write a letter to the unknown soldier who stands on Platform One of Paddington Station. More than 22,000 people responded and all their letters are collected at http://www.1418now.org.uk/letter. An edited selection of the letters was published in book form the same year.
Her digital fiction, Inanimate Alice, has won numerous prizes and accolades and has become a leading title in the field of digital literacy and pedagogy; Episode 6, The Last Gas Station, won Honorable Mention - The Robert Coover Award for Electronic Literature in 2016.
Kate Pullinger grew up in Canada, dropped out of McGill University when she was 19, then travelled, read, wrote, and started a family before re-entering academic life in 2007 when she became a Reader in Creative Writing and New Media at De Montfort University, where she completed a PhD by Published Works. At Bath Spa she supervises PhDs students, leads the Digital Writing Research Group and co-directs the cross-disciplinary research centre, Making Books: Creativity, Print Culture, and the Digital.
Kate Pullinger is Co-Investigator on the two-year AHRC funded research project, Ambient Literature, a collaboration with UWE, Univ of Birmingham, and the Pervasive Media Studio in Bristol.
- PhD by Published Works; De Montfort University
- Society of Authors; The Writers' Union of Canada
- Editorial Director of The Writing Platform, a website for writers that focusses on the intersection of creative writing and technology
- Member of the Steering Group for MaMSIE, a cross-disclipinary research network; member of the Editorial Board of MaMSIE's peer-reviewed e-journal, 'Studies in the Maternal'
- Former Chair of the Board of NOT SHUT UP, a magazine and arts academy for prisoners
- 2017 Queensland University of Technology, Australia, Transmedia Fiction
- 2016 University of Kent, Creative Writing
- 2016 Manchester Metropolitan University, Digital Writing
- 2015 Southampton University, Creative Writing
- 2014 Open University, Creative Writing
- 2013 Curtin University, Australia, Communication and Cultural Studies
- 2013 Goldsmiths University, Creative Writing
- 2013 Southampton University, Creative Writing
- 2012 Southampton University, Creative Writing
- 2012 Goldsmiths University, Media Arts
- 2011 Goldsmiths University, Media Arts
- 2009 Southampton University, Creative Writing
Other external roles
Pullinger is a regular speaker and participant at future of publishing and future of the book conferences in the UK as well as internationally. She has made appearances at many book festivals, including Books in Browsers in San Francisco, the Edinburgh International Festival, International Festival of Authors Toronto, Vancouver, Dubai, Brisbane and Melbourne. She has taught for Arvon regularly, and runs writing workshops for the British Council, most recently in Karachi and Lahore, Pakistan, Tunisia, and Morocco.
In collaboration with The Literary Platform and Bath Spa University, Pullinger is Editor of The Writing Platform, a website aimed a giving neutral advice and informed opinion about digital transformations in publishing, reading, and writing, to established and emerging writers.
- Creative writing (the novel, short stories), creative writing and digital media (digital fiction, new hybrid forms of story-telling, collaborative multimedia fiction, networked novels, participatory fiction, electronic literature, transmedia storytelling)
- Currently working with a group of Digital Writing PhD students: www.writingdigital.com
- Projects with students include 'A Million Penguins', the Penguin UK/DMU wiki-novel (2007) and the recent collaboration with if:book Australia, Queensland Writers Centre, and Queensland University of Technology, Memory Makes Us
- 'Letter to an Unknown Soldier' employed a team of 8 Bath Spa students as Editorial Moderators during the summer of 2014
- Kate Pullinger is currently working on a serialised novel for smartphones, 'Jellybone', in collaboration with oolipo, to be released early 2017
- She is also writing a novel about a logger and his family, set in British Columbia, Canada, commissioned by Doubleday, Penguin Random House Canada. This will be published in 2018
- November 2013 saw the premiere, in Bratislava, at the National Theatre of Slovakia, of Pullinger's libretto for the opera 'Dorian Gray', based on Wilde's novel
Current PhD Students include:
PhD in Creative Writing (Digital Writing) http://www.writingdigital.com/
- Lisa Gee
- Kayt Lackie
- Chris Meade
- Christine Wilks
- Lucy English
- Rob Sherman
- Alastair Horne
PhD in Creative Writing:
- Tania Hershman
Low Residency PhD in Creative Writing:
- Rachael Hanel
Research and academic outputs
Pullinger, K (2017) Jellybone. Oolipo, Berlin.
Pullinger, K and Bartlett, N (2014) Letter to an unknown soldier. William Collins, Harper Collins, London. ISBN 9780008116842
Pullinger, K (2014) Landing gear: a novel. Touchstone Books, New York: London. ISBN 9781476751375
Pullinger, K (2013) Once upon a time there was a traveller. Virago Press, London. ISBN 9781844086849
Pullinger, K (2011) A curious dream: collected works. McArthur & Co., Toronto. ISBN 9781770870321
Pullinger, K (2011) Something was there. Virago Press, London. ISBN 9781844086832
Pullinger, K and Joseph, C (2010) Lifelines. Rising Stars. ISBN 9781846806377
Pullinger, K (2009) Waving at the gardener. Bloomsbury, London. ISBN 9780747598763
Pullinger, K (2009) The mistress of nothing. Serpent's Tail, London. ISBN 9781846687112
Pullinger, K (2004) A little stranger. McArthur & Co., Toronto. ISBN 9781852424879
Pullinger, K (1999) Weird sister. McArthur & Co., Toronto. ISBN 9781552780855
Pullinger, K (1997) My life as a girl in a men's prison. Phoenix House, London. ISBN 9781861590244
Pullinger, K (1996) The last time I saw Jane. Orion. ISBN 9781897580844
Pullinger, K (1992) Where does kissing end? Serpent's Tail. ISBN 9781852422776
Pullinger, K (1988) Tiny lies. Jonathan Cape, London. ISBN 9780224025607
Pullinger, K (2015) 'Inanimate Alice: how we accidentally created a digital story for schools.' In: Manresa, M and Real, N, eds. Digital literature for children: texts, readers and educational practices. Peter Lang, Brussels, pp. 213-220. ISBN 9782875742728
Pullinger, K (2012) 'A serious arteriopath.' In: Van Luven, L and Page, K, eds. In the Flesh: Twenty Writers Explore the Body. Brindle & Glass. ISBN 9781926972091
Pullinger, K, Thomas, S, Joseph, C, Laccetti, J, Mason, B and Perril, S (2011) 'Transliteracy as a unifying perspective.' In: Hatzipanagos, S and Warburton, S, eds. Handbook of research on social software and developing community ontologies. Information Science Reference, London, pp. 448-465. ISBN 9781605662084
Pullinger, K (2008) 'Digital fiction: from the page to the screen.' In: Adams, R, ed. Transdisciplinary digital art: sound, vision and the new screen. Springer, New York, NY, pp. 120-126. ISBN 9783540794851
Pullinger, K, Uglow, T and Hancox, D (2016) Story+: Kate Pullinger and Tea Uglow in conversation with Donna Hancox. In: Brisbane Writers Festival, 9 September 2016, Queensland University of Technology, Brisbane, Australia.
Pullinger, K (2016) Unprintable books - Live live editing! - I wish I knew when I didn't know. In: National Writers Forum, 17 -18 September 2016, University of Auckland, Auckland, New Zealand.
Hershman, T, Lackie, K, Meade, C, Pullinger, K and Wilks, C (2015) Writing digital: new forms of fiction. In: Experimental Narratives From the Novel to Digital Storytelling, 26-27 February 2015, Institute of Modern Languages Research, University of London.
Pullinger, K (2013) Brave new story worlds: writing in the digital age. In: Brave New World: English and literacy teaching for the 21st century, 4 July - 7 July 2013, QUT, Brisbane, Australia.
Pullinger, K (2013) Way beyond the book: opportunities for writers in the digital age. In: Tools of Change for Publishing Conference, 12 February - 14 February 2013, New York, NY.
Pullinger, K (2012) Having my cake. In: Books in Browsers, October 2012, San Fransisco, CA, USA.
Pullinger, K (2012) Spreadable media: writing in a disintermediated age. In: MIX DIGITAL 2013: Text on Screens; Making/Discovering/Teaching, 15 July - 17 July 2012, Corsham Court, Bath Spa University, Wiltshire, England.
Pullinger, K (2012) Landscape and memory in "The Mistress of Nothing" and "A Little Stranger". In: Association of Canadian Studies in Ireland 16th Biennial Conference - Canada: Landscapes and Landmarks, 10 May - 12 May 2012, University College Dublin, Ireland.
Pullinger, K and Bartlett, N (2014) Letter to an unknown soldier [website].
Pullinger, K and Campbell, A (2012) Duel [website].
Pullinger, K and Joseph, C (2009) Luke's message [website].
Pullinger, K and Joseph, C (2009) Flight paths: a networked novel [website].
Pullinger, K (2008) Inanimate Alice [website].
Pullinger, K, Joseph, C and Schemat, S (2005) The breathing wall [website/CD].
Pullinger, K and Memmott, T (2005) Branded [website].