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Professor Emeritus – Roger Heaton – Bath Spa University

 Emeritus Professor 

Personal statement

Roger Heaton is Emeritus Professor of Music at Bath Spa University and former Subject Leader for Music. As a clarinettist he performs throughout Europe. He has played with the Arditti, Kreutzer and Smith String Quartets and the the Fidelio Trio and was a member of the London Sinfonietta. He has been a member of the Gavin Bryars Ensemble since 1986, was Music Director of Rambert Dance Company (1988-93) and Clarinet Professor at the Darmstadt Ferienkurse für Neue Musik (1982-94). His early solo CDs of works by Reich, Bryars, Feldman and others (1998), and Hymnos, with music by Maxwell Davies and Birtwistle (1998), won critics awards in the Sunday Times and BBC Music Magazine. Subsequent recordings include chamber music by Erhard Grosskopf (2001), Giacinto Scelsi's clarinet concerto Kya (2002), Morton Feldman's Clarinet and String Quartet (2004), solo music by Tom Johnson (2006) and Hugh Wood's chamber music (2009). Two albums were released in 2013: solo works by Boulez and Radulescu and a commissioned clarinet quintet by Mihailo Trandafilovski with the Kreutzer Quartet. Two recordings are planned for 2020/1: works with piano by Bryars and Dave Smith and a recital disc of music including Berg's Four Pieces Op. 5.

Festival appearances have included the Warsaw Autumn, Vilnius, CDMC Madrid, Prague, Bergen, Odense, Tallin, Riga, and the Valencia Biennale; touring with the Gavin Bryars Ensemble in the UK and Europe; concerts with the Fidelio Trio and the Kreutzer Quartet in programmes including Messiaen's Quartet for the End of Time, in Modena, London, Waterford Festival Ireland and Cyprus at the International Contemporary Music Festival in Nicosia.

His book The Versatile Clarinet was published by Routledge in December 2005; he has written a chapter for The Cambridge History of Musical Performance (2012) and has contributed to the Cambridge Companion to Recorded Music (2009) and the Cambridge Encyclopedia of Historical Performance in Music (2018). He contributed a chapter to Perspectives on the Music of Christopher Fox, Routledge (2016).

Forthcoming are two chapters for The Music of Gavin Bryars (Kahn and Averill, 2020), a chapter on contemporary clarinet techniques (University of Minho Press, 2020), and an article on Horatiu Radulescu for the online Research Catalogue (2020).

Academic qualifications

  • BMus (Hons) Huddersfield University
  • MMus King's College, London University

External examiners

  • Manchester Metropolitan 1999-2003
  • Goldsmiths College London University 2003-05
  • Kingston University MA 2004-08 and Chief Post-graduate External 2006-08
  • University of East Anglia BA and MA, 2007-10
  • Royal Northern College of Music MA 2007-13
  • Royal College of Music MA 2015-19

Teaching specialism

  • Performance
  • Contemporary music
  • Music analysis

Scholarships

  • CDs of solo works by Bryars and Smith 2020-21
  • Book chapters on Bryars, clarinet techniques 2020
  • Journal article on Radulescu 2020

Research and academic outputs

Go to ResearchSPAce

The versatile clarinet
book

Heaton, R (2006) The versatile clarinet. Routledge. ISBN 0415973171


Performance and Xenakis's echange
book

Heaton, R (2002) Performance and Xenakis's echange. Unknown Public. ISBN 9780954154806


Reflections on consonance and dissonance: Christopher Fox's early works for clarinet
book_section

Heaton, R (2016) 'Reflections on consonance and dissonance: Christopher Fox's early works for clarinet.' In: Dodd, R, ed. Perspectives on the music of Christopher Fox: straight lines in broken times. Routledge, Abingdon, pp. 52-60. ISBN 9781472428240


Instrumental performance in the twentieth century and beyond
book_section

Heaton, R (2012) 'Instrumental performance in the twentieth century and beyond.' In: Lawson, C and Stowell, R, eds. The Cambridge history of musical performance. Cambridge University Press, Cambridge, pp. 778-797. ISBN 9780521896115


Reminder: a recording is not a performance
book_section

Heaton, R (2009) 'Reminder: a recording is not a performance.' In: Clarke, E, Cook, N, Leech-Wilkinson, D and Rink, J, eds. The Cambridge companion to recorded music. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 217-220. ISBN 9780521684613


Die Darmstädter Interpretations-Studios [The Darmstadt Interpretation Studios]
book_section

Heaton, R (1995) 'Die Darmstädter Interpretations-Studios [The Darmstadt Interpretation Studios].' In: Von Kranichstein zur gegenwart: festschrift 50 jahre Darmstädter Ferienkurse (1946-1996). Daco Verlag, Stuttgart, pp. 551-554. ISBN 3871350281


The contemporary clarinet
book_section

Heaton, R (1995) 'The contemporary clarinet.' In: Lawson, C, ed. The Cambridge companion to the clarinet. Cambridge University Press, Cambridge, pp. 163-183. ISBN 9780521476683


Contemporary performance practice and tradition
article

Heaton, R (2012) 'Contemporary performance practice and tradition.' Music Performance Research, 5 (Spec). pp. 96-104. ISSN 1755-9219


The performer's point of view
article

Heaton, R (1987) 'The performer's point of view.' Contact, 30. pp. 30-33. ISSN 0308-5066


Horatiu Radulescu 'Sound Plasma'
article

Heaton, R (1983) 'Horatiu Radulescu 'Sound Plasma'.' Contact, 26. pp. 23-24. ISSN 0308-5066


Inventing an ensemble identity
conference_item

Heyde, N, Heaton, R, Finnissy, M and Bamon, L (2016) Inventing an ensemble identity. In: Performance Studies Network: Fourth International Conference, 14 -17 July 2016, Bath Spa University, Bath, UK.


The sinking of the Titanic and ensemble works
performance

Heaton, R, Woodrow, J and Riley, A (2012) The sinking of the Titanic and ensemble works. .


Titanic (forma)
performance

Heaton, R (2012) Titanic (forma). In: The Sinking of the Titanic - Centenary Project, Birmingham Town Hall, 13 April 2012.


Mihailo Trandafilovski Clarinet Quintet: magnets, lava, crystals
performance

Heaton, R (2011) Mihailo Trandafilovski Clarinet Quintet: magnets, lava, crystals. .


Nothing like the sun
performance

Heaton, R, King, C, Potter, J and Friday, G (2009) Nothing like the sun. University of Lancaster, 26 November 2009.


Small ensemble a
performance

Heaton, R (2008) Small ensemble a. .


Magnets, lava, crystals: clarinet quintet by Mihailo Trandafilovski
audio

Heaton, R and Kreutzer String Quartet, (2013) Magnets, lava, crystals: clarinet quintet by Mihailo Trandafilovski.


The inner time: contemporary music for clarinet
audio

Heaton, R (2013) The inner time: contemporary music for clarinet.


Tom Johnson: Rational melodies / Bedtime stories
audio

Heaton, R (2006) Tom Johnson: Rational melodies / Bedtime stories.


Gavin Bryars 'Chambre d'ecoute'(A listening room)
audio

Heaton, R (2005) Gavin Bryars 'Chambre d'ecoute'(A listening room).


Morton Feldman: Clarinet and string quartet & Christopher Fox: Clarinet quintet
audio

Heaton, R (2004) Morton Feldman: Clarinet and string quartet & Christopher Fox: Clarinet quintet.


Feldman and Fox clarinet quintets
audio

Heaton, R (2004) Feldman and Fox clarinet quintets.


Gavin Bryars: a portrait
audio

Heaton, R (2003) Gavin Bryars: a portrait.


Giacinto Scelsi clarinet concerto kya
audio

Heaton, R (2002) Giacinto Scelsi clarinet concerto kya.


Sound pool - adagio
audio

Heaton, R and Grosskopf, E (2000) Sound pool - adagio.


Dark labyrinths
audio

Heaton, R and Grange, P (1999) Dark labyrinths.


Pierre Boulez 'Domaines' [Liner notes for 'The inner time: contemporary music for clarinet']
other

Heaton, R (2014) Pierre Boulez 'Domaines' [Liner notes for 'The inner time: contemporary music for clarinet'].


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