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Stephen Vaughan

2

Personal statement

I currently teach on the BA (Hons) Photography programme and am Year Two Co-ordinator.

For the last decade, my photographic work has been made at the edges of the Earth’s tectonic plates – focusing on the relationship between geological phenomena, human-cultural history and scientific enquiry in Iceland and Japan. Photographs from the series 'A Catfish Sleeps' and 'Tohoku' (made before and after the 2011 Great East Japan Earthquake) were exhibited at the European Geosciences Assembly in Vienna in 2012. This work received awards in the Lens Culture International Exposure Awards and Photolucida’s Critical Mass Awards. It was also nominated for the prestigious Prix Pictet.

In 2014, I collaborated with the Japan Agency for Marine-Earth Science and Technology (JAMSTEC) and the Center for Deep Earth Exploration (CDEX) to document the world’s largest scientific drilling vessel 'Chikyu' during the 'Nankai Trough Seismogenic Zone Experiment'. I am currently collaborating with earthquake historians in Japan and paleoseismologists in USA to produce a series of photographs that trace American-Japanese links to the last 'Cascadia' Earthquake and tsunami in 1700.

A major book publication of my work in Japan is currently in preparation.

Previous work includes; 'Ultima Thule', a solo exhibition at Impressions Gallery, UK and Blue Sky Gallery, Portland, USA; and 'Opened Landscape: Lindow, Tollund, Grauballe', which was nominated for the Santa Fe Prize For Photography.

My work is held in a number of public and private collections in the UK and internationally – including the National Photographic Collection at the National Media Museum.

I previously worked (for 18 years) as a freelance theatre and film stills photographer – for companies including:

  • The Royal Shakespeare Company
  • English National Opera
  • Opera North
  • Shakespeare’s Globe
  • Working Title Films
  • Renaissance Films and
  • Icon International.

These photographs were widely published in the national and international press, poster campaigns and in a number of books.

Academic qualifications

  • MA Brighton University

Research projects

Research and academic outputs

Go to ResearchSPAce

Seismic histories and rupture probabilities: photographic perspectives on Japanese earthquakes
conference_item

Vaughan, S (2014) Seismic histories and rupture probabilities: photographic perspectives on Japanese earthquakes. In: Exploring Environmental Photography, 1-3 October 2014, Institute of Art History, Bern University.


Tohoku: solo exhibition
exhibition

Vaughan, S (2012) Tohoku: solo exhibition. In: European Geosciences Union Assembly, Austria Center, Vienna, Austria, 22 - 27 April 2012. Number of pieces: 25 large-scale exhibition prints.


A Catfish Sleeps
exhibition

Vaughan, S (2009) A Catfish Sleeps. Pavilion, Leeds, UK (commission); Djanogly Gallery, Nottingham, UK (exhibition), 16 January - 28 February 2010.


Lindow Moss: a place of finding
exhibition

Vaughan, S (2008) Lindow Moss: a place of finding. Manchester Museum, 13 December 2008 - 12 July 2009.


Ultima Thule, solo exhibition (touring)
exhibition

Vaughan, S (2008) Ultima Thule, solo exhibition (touring). Impressions Gallery, Bradford, UK, 13 February-13 April 2008. (then touring to Arts University College, Bournemouth, UK; The Dick Institute, Kilmarnock, UK; Tullie House Museum, Carlisle, UK; Photofusion, London, UK; Blue Sky Gallery, Portland, USA), Number of pieces: 17 (at Impressions, Photofusion, AUCB and Dick Institute), 30 (at Tullie House), 24 (at Blue Sky).


Opened landscape: Lindow, Tollund, Grauballe (solo exhibition)
exhibition

Vaughan, S (2004) Opened landscape: Lindow, Tollund, Grauballe (solo exhibition). Picture House, Leicester; Photofusion Gallery, London; Blue Sky Gallery, Portland OR, 2004 - 2005.


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