Emma Hooper

Personal statement

I'm a performer (strings, vocals), composer/songwriter, author and researcher with particular interest in study and practice that defies or redefines boundaries of discipline.

Academic qualifications

PhD University of East Anglia
MA Bath Spa University
BA(Hons) University of Alberta.

Professional qualifications

PhD, University of East Anglia, Norwich
MA, Bath Spa University
BA (Hons) University of Alberta, Canada.

Professional memberships

PRS
PPL
Word and Music Studies Forum
Musician's Union
Association of Writers and Publishers
Suzuki Association of the Americas
Bristol Suzuki Group.

Teaching specialism

Research Supervision
Performance
Writing/Creative Writing.

Interest areas

The areas I'm most interested and active in currently are:

Musico-Literary Studies
Intermediality (esp. in relation to semiotics)
Gender Studies
Retro-Futurism
Creative Writing
Structure Play
Musical Pedagogy (esp. Immersive and Ludic Learning)
Character Studies
Lyric and Libretto.

Research and academic outputs

Go to ResearchSPAce

Our homesick songs

book

Hooper, E (2018) Our homesick songs. Penguin, London. ISBN 9780241977934

Etta and Otto and Russell and James

book

Hooper, E (2015) Etta and Otto and Russell and James. Penguin, London. ISBN 9780241003329

The gatekeeper gap: searching for solutions to the UK’s ongoing gender imbalance in music creation

book_section

Hooper, E (2019) 'The gatekeeper gap: searching for solutions to the UK’s ongoing gender imbalance in music creation.' In: Strong, C and Raine, S, eds. Towards gender equality in the music industry. Bloomsbury Academic, London. ISBN 9781501345500 (Forthcoming)

How to (almost) never play a bad gig again: a simple way to approach performing professionally

book_section

Hooper, E (2017) 'How to (almost) never play a bad gig again: a simple way to approach performing professionally.' In: Williams, J and Williams, K, eds. The singer-songwriter handbook. Bloomsbury, London. ISBN 9781628920291

Do the stars know why they shine? An argument for including cultural theory on popular music programmes

book_section

Hooper, E (2017) 'Do the stars know why they shine? An argument for including cultural theory on popular music programmes.' In: Smith, G.D, Moir, Z, Brennan, M, Rambarran, S and Kirkman, P, eds. The Routledge research companion to popular music education. Routledge, Abingdon, pp. 153-165. ISBN 9781472464989

My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona

article

Hooper, E (2014) 'My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona.' Journal of Popular Music Studies, 26 (4). pp. 445-464. ISSN 1524-2226

Why are novelists obsessed with music?

article

Hooper, E (2014) 'Why are novelists obsessed with music?' Publishers Weekly, 261 (42). p. 28. ISSN 0000-0019

Somewhere a place for us: how intratextual music-association conveys characteral identity in "The Time of Our Singing" by Richard Powers.

article

Hooper, E (2013) 'Somewhere a place for us: how intratextual music-association conveys characteral identity in "The Time of Our Singing" by Richard Powers.' Journal of Music and Meaning (JMM), 11. ISSN 1603-7170

Hear me: how intratextual musical association develops literary characters

article

Hooper, E (2012) 'Hear me: how intratextual musical association develops literary characters.' Interdisciplinary Literary Studies, 14 (2). pp. 180-196. ISSN 1524-8429

The world is listening: panel discussion, interviews and workshops

conference_item

Hooper, E and Honan, N (2017) The world is listening: panel discussion, interviews and workshops. In: Shambala Festival, 25 - 27 August 2017, Northamptonshire, UK.

The World is Listening: Brighton residency [organisers]

conference_item

Hooper, E and Honan, N (2017) The World is Listening: Brighton residency [organisers]. In: The World is Listening: Brighton residency, 25-26 March 2017, The Rosehill, Brighton, UK.

The world is listening: panel discussion, interviews and workshops

conference_item

Hooper, E and Honan, N (2016) The world is listening: panel discussion, interviews and workshops. In: Shambala Festival, 25 – 28 August 2016, Northamptonshire, UK.

Where are all the women? [panel discussion]

conference_item

Hooper, E, Honan, N, Painter, K and Lynch, R (2015) Where are all the women? [panel discussion]. In: Where Are All The Women?, 8 March 2015, Rise Records, Bristol.

Music while you write

conference_item

Hooper, E (2015) Music while you write. In: Bath Literature Festival, 27 February - 8 March, 2015, Bath, UK.

My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona

conference_item

Hooper, E (2014) My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona. In: IASPM UK & Ireland Conference, 11-14 September 2014, Cork, Ireland.

Looking back to looking forward to looking forward: a very short introduction to retro-futurism

conference_item

Hooper, E (2013) Looking back to looking forward to looking forward: a very short introduction to retro-futurism. In: QTalks Lecture Series 2013, August 2013, London.

Who is the lark?: Vaughan Williams’ 'The lark ascending' as characterization in 'An equal music' by Vikram Seth

conference_item

Hooper, E (2013) Who is the lark?: Vaughan Williams’ 'The lark ascending' as characterization in 'An equal music' by Vikram Seth. In: RMA Study Day: Twentieth-Century British Poets in Music, 28 June 2013, University of Hull, Hull, UK.

Who's afraid of who's afraid of Virginia Woolf?: a very short introduction to cultural theory

conference_item

Hooper, E (2013) Who's afraid of who's afraid of Virginia Woolf?: a very short introduction to cultural theory. In: QTalks Lecture Series 2013, Febraury 2013, London.

Sing for the win!: making a case for a ludic-immersive approach to teaching musicality

conference_item

Hooper, E and Williams, C (2013) Sing for the win!: making a case for a ludic-immersive approach to teaching musicality. In: Music Learning Live!, 23 - 26 October 2013, Singapore.

Instrumental portraiture: the use of Elgar’s "Variations on an original theme" in my creative process as novelist

conference_item

Hooper, E (2009) Instrumental portraiture: the use of Elgar’s "Variations on an original theme" in my creative process as novelist. In: Word and Music Studies: Seventh International Conference, 10 June - 13 June 2009, University of Music and Performing Arts, Vienna.

Death, treason, rhyme and reason

performance

Honan, N, Wescott, E, Burgess, R, Martin, H, MacDonald, J, Hooper, E and Abel, S (2014) Death, treason, rhyme and reason. Bristol Old Vic, Bristol, 7-10 May 2014.