This interdisciplinary research group explores the body as a source of creative material and notions of embodiment in cultural contexts
Creative Corporealities is an interdisciplinary research group that responds to a contemporary revision in notions of humanity, felt both viscerally and intellectually, for which the predominant answer is embodiment and creativity.
Who we are
We are practitioners and academics working across a wide range of disciplines, based at Bath Spa University, with research themes accommodated under the banner of the Centre for Cultural and Creative Industries. Creative Corporealities concerns itself with embodiment as a source of creative practice, with its own causalities and politics. We develop and observe disciplinary practices that engage and affect a body that is generative of creative processes.
We are also on the steering group for the Research Centre for the Environmental Humanities, representing performance and arts research.
Events and performances
Below are a series of presentations by members of the Creative Corporealites research group and outside guest speakers, supported by Bath Spa's Quality Research funding. Please also see our Past Events page for an archive of these performances.
Unless otherwise stated, our events are free and open to staff, students and members of the public. Our public lectures are likely to be of broadest interest, while research seminars are intended primarily for staff and postgraduate students.
Dwelling - PhD practice-based performance
Our researchers are engaged in projects that have been funded by organisations such as the Arts Council England and the National Lottery Heritage Fund.
One Lost Stone
Thomas Kampe (director)
£84k Heritage Lottery Arts funding
One Lost Stone is a site responsive performance piece researching the hidden legacy of Sephardic Jews in London, and was performed at Novo Cemetery in London. This formed part of the project Discovering and Documenting England’s Lost Jews, a production in collaboration with the Pascal Theatre company, which looked to use performative and embodied means to investigate hidden and reluctant British histories.
IFF Research Journal - 'Practices of Freedom - The Feldenkrais Method and Creativity'
Edited by Thomas Kampe, in collaboration with Ciff Smyth, Sara Reed, Robert Sholl, and Libby Worth
Volume six offers a critical forum for scholarship, articulation and evaluation of creative practices and pedagogies which are informed by the Feldenkrais Method.
The Feldenkrais Research Journal focuses on research into the Feldenkrais Method® and related fields of practice, thought, research, action, and awareness. This peer reviewed Journal seeks to engage in a dialogue about research within the Feldenkrais professional field and beyond.
The Imagining Body in Performer Training: The Legacy of Jacques Lecoq and Gaston Bachelard
Bath Spa's Ellie Nixon is currently writing a monograph titled The Imagining Body in Performer Training: The Legacy of Jacques Lecoq and Gaston Bachelard as part of the Perspectives on Performer Training Book Series, to be published by Routledge in 2019.
displaced/displayed: re-enacting dances of migration
Artistic direction: Thomas Kampe
Editorial direction: Manuela Jara
Choreographic direction and research: Carol Brown
Sound: Russell Scoones
Video artist: Meek Zuiderwyk
Video assistant: Freddie Errazo
The New Zealand Dance Company: Carl Tolentino, Lucy Lynch, Chris Ofanoa, Katie Rudd
This performance was featured as part of a major exhibition at the Theatre Museum Vienna in March 2019.
Displaced/displayed re-activates the legacy of Viennese choreographer Gertrud Bodenwieser (Vienna 1890 – Sydney 1959) and her dancers within a context of global transmission of dance knowledge through crisis, diaspora and exile. This installation coincides with the 80th anniversary of Bodenwieser’s exile from Europe and celebrates the possibility of a nearly lost avant-garde to remain.
It builds on artistic research undertaken by Kampe and Brown between 2014 and 2017 (‘Releasing the Archive’, Auckland, Berlin, Hannover, Bath, Tel Aviv and Vienna) in collaboration with The New Zealand Dance Company and international scholars. The installation draws on video footage of choreographic work developed through the re-enacting of archival material of ex-Bodenwieser dancers Shona Dunlop-McTavish, Hillary Napier and Hilde Holger. The installation explores practices of displacement, doubling and fragmenting of recorded material to echo and honour the labour of lost modernist dancers and dances of exile.
With thanks to Shona Dunlop-MacTavish, Shona McCullagh, Barbara Cuckson, Laure Guilbert, Neil Glen, Anthony Head, Kirsten Seeligmüller. The project was supported through Bath Spa University and University of Auckland.
The Last Hurrah
The Last Hurrah (and The Long Haul) is a collaborative practice-based research project between Rew Lowe and Matt Law responding to questions of ecological urgency through performance practice : ‘How might we communicate the issue of climate change in such a way as to at once engage people whilst also moving them to some form of positive action or behavioural change?’
Dwelling: Performance Installation
Contributions to Law, Philosophy and Ecology: Exploring Re-Embodiments, 1st Edition
Sian Sullivan, Professor of Environment and Culture
Co-editor with Ruth Thomas-Pellicer and Vito De Lucia
Contributions to Law, Philosophy and Ecology: Exploring Re-Embodiments is a preliminary contribution to the establishment of re-embodiments as a theoretical strand within legal and ecological theory, and philosophy. Re-embodiments are all those contemporary practices and processes that exceed the epistemic horizon of modernity. As such, they offer a plurality of alternative modes of theory and practice that seek to counteract the ecocidal tendencies of the Anthropocene. The collection comprises eleven contributions approaching re-embodiments from a multiplicity of fields, including legal theory, eco-philosophy, eco-feminism and anthropology.