Nassos Polyzoidis is a guitarist, singer-songwriter, multi-instrumentalist, educator, and PhD researcher from Athens, Greece.
He has studied electric guitar, music theory, jazz harmony, contemporary composition, vocals, piano and songwriting with tutors like Max Milligan, Dr Davey Ray Moor, Pantelis Gertsos and Nikos Panagiotakis, to name but a few. He holds a Masters degree in Songwriting from Bath Spa University, an Associate Diploma in Music Teaching from the University of West London, a degree in Music Harmony from the Musical Praxis Conservatory, and a Bachelors Degree in Computer Science from the University of Athens.
He is the course leader for songwriting and electric guitar studies at two music schools in Athens. He also teaches acoustic guitar, music theory, jazz harmony and occasionally ukulele in the National Conservatory and in three music schools.
In 2017, he released his first personal album, Love in Crisis, under the pseudonym ‘Nassos Conqueso’. He has also released four singles with his side project Sakké ConQuéso and has contributed to other artists’ releases.
The central purpose of his research is to identify similarities in approach and conception of two distinct musical styles - rebetiko and blues - in different geographical locations with the aim of conceiving a creative method for generating cross-cultural music and lyrics. Nassos regularly presents his research at international conferences, which have included the Southampton Music Analysis Conference (SotonMAC 2019) and “The Mediterranean: Migrant Sounds” - AVAMUS International Conference (2019).
- MMus Songwriting – Bath Spa University
- BSc (Hons) Computer Science - University of Athens
- ALCM (TD) Music Teaching – University of West London
- Society for Music Analysis (SMA)
- International Association for the Study of Popular Music (IASPM)
- Royal Musical Association (RMA)
- British Forum Ethnomusicology (BFE)
- International Council for Traditional Music (ICTM)
- Incorporated Society of Musicians (ISM)
- Modern Greek Studies Association (MGSA)
- Performing Rights Society (PRS)
- Phonographic Performance Limited (PPL)
- Registry of Guitar Tutors (RGT@LCM)
Sociocultural and musical characteristics of Rebetiko and Blues and their hybrids.
Songwriting, Hybrids, Ethnomusicology, Primitivism.
Research and academic outputs
- Polyzoidis, N. (2019) 'Fingerstyle Rebetiko: the revival of a lost technique'. Quadrívium,-Revista Digital de Musicologia 10. ISSN 1989-8851.
Conference and workshop items
- Polyzoidis, N. (2020) Rebetiko and blues: from Yiorgos Batis's "O Boufetzis" (1935) to Georges Pilali's "Teketzis" (1994). In: London Calling - IASPM UK&I Conference, University of West London.
- Polyzoidis, N. (2020) 'Uncannily Alike'. In Deductive and Inductive Working Methods: C21MP Online Practice Research Symposium, 2 May 2020, 21st Century Music Practice Research Network.
- Polyzoidis, N. (2020) How I Write Songs. In: Introspection Music Experience, 12 February 2020, Laboratorio de las Artes de Valladolid, Spain.
- Polyzoidis, N. (2020) Tsibiti: the country blues and Texas blues fingerstyle rebetiko. In: BFE-RMA Research Students' Conference 2020, 10 January 2020, The Open University, Milton Keynes.
- Polyzoidis, N. (2019) Rebetiko meets the blues: the songwriting of Pavlos Sidiropoulos. In: Southampton Music Analysis Conference, 30 July 2019, University of Southampton, Southampton
- Polyzoidis, N. (2019) Fingerstyle Rebetiko: the revival of a lost technique. In: The Mediterranean: Migrant Sounds - AVAMUS International Conference, 25 July 2019, Centre Cultural La Nau, University of Valencia, Valencia, Spain.