Sound Production degree – MA – Bath Spa University Skip to main content

Sound (Production)


Postgraduate degree

MA Sound (Production)
Bath School of Music and Performing Arts
Campus or location
Newton Park
Course length
One year full-time or two years part-time.

Entry requirements

Entry requirements for our postgraduate courses vary. We are generally looking for a good honours degree or equivalent. Some courses also require an interview or the submission of a portfolio of work.

Please contact our admissions team for more information:

Compose and produce contemporary music with an interdisciplinary and experimental focus.

  • Cutting edge interdisciplinary approach to music composition and production.
  • Flexible and adaptable to individual interests.
  • Runs alongside Sound (Arts) and Sound (Design), with options across programmes.

Develop your own signature sound and production style through this forward-thinking music composition and sound production course. You’ll be able to tailor the MA Sound (Production) course's content to your own style and skills.

The content will cover aesthetic considerations, technology, and techniques utilised in modern music making.

The award is deliberately unbounded by genre, and there are opportunities to take an interdisciplinary approach to sound production, including contemporary electronic music, studio and field recording, experimental music, and sound design for composition. Opportunities for working with visual media are also encouraged.

What you'll learn


The MA Sound (Production) programme is tailored towards individuals who are keen to hone their composition and production skills inside an intertextual and cross-disciplinary framework that pushes at the stylistic boundaries of genre.

The programme encourages interdisciplinary and collaborative working methods with students from the wider music community at Bath Spa, as well as visual media and other departments within the University.

While the programme has a music production focus, it also covers key areas of practice such as:

  • Sound design
  • Electronic music composition
  • Soundscape and field recording
  • Traditional studio practices
  • Sound engineering
  • Spatial audio and sound design
  • Composition for visual media.

You won’t be expected to cover all of these areas. You’ll be able to use the course to develop an individually-tailored portfolio of skills, experience, and top-level work across them.

The course is part of a suite of courses available across Music and Sound, operating alongside "sister" pathways in Sound (Design) and Sound (Arts), which allow further specialism in these areas.

Course structure

Trimester one

Gain the skills you’ll need to fulfil the rest of the course.

The Skills Portfolio module is built on the idea that you’ll already have technical skills in this area, but that students entering the course have differing skillsets, depending on background. It therefore allows you to choose a handful of skills projects from a large number of options – these cover skills right across the Sound (Production), Sound (Design) and Sound (Arts) pathways and include (optional) elements of multimedia.

The Research Methodology and Context module develops skills in postgraduate-level research and writing. It is designed to give you the tools for an onward journey in academia, but not to be, in the colloquial sense, "academic". It encourages your research to be around the practical and creative elements core to your practice and therefore to feed your creative work.

Trimester two

You’ll advance the knowledge gained in the first trimester and begin exploring the intertextual possibilities of music composition. In addition, you’ll develop a creative project that will further extend the work undertaken on the trimester one Skills Portfolio module.

The Intertextuality In Sound Production module aims to capture and contextualise emerging trends and innovation at the forefront of sound production and composition, and develop composition skills that extend beyond the limits of genre. You’ll produce practical outputs exploring a range of influences from a rich milieu of sound-related practices. The ultimate goal of the module is the creation of new music that explores the continuum between contemporary electronic music and more avant-garde musical forms.

Alongside the Sound (Production) modules, there are additional optional modules that you can study from the other pathways. From the Sound (Arts) pathway, the Visual Music module explores the idea that musical thinking can be extended to the visual, and encourages students to develop multimedia projects that explore this idea. Sonic Architecture centres around the construction and organisation of sound, and focuses on the tensions that may be explored and exploited in both the spatial and temporal domains.

From the Sound (Design) pathway, the Post Production module explores an industry-level workflow for audio post production for picture. There are also choices in composition, performance, musicology and professional practice.

Trimester three

Trimester three represents the culmination of the course in an independent research project. While most Master's level courses consist of a substantial written dissertation component, the MA Sound (Production) programme focuses more on high-level practical work and the concept of "practice as research" through the creation of a large-scale practical project.

The project will fulfil the same function as the traditional dissertation; you’ll develop individual and original research, but through the creation of a portfolio of works, rather than through the written word. You’ll develop a body of practical work which will serve as a substantial portfolio for the next stage in your career.

Course modules

This course includes or offers the following modules. Please check the programme document for more information on which modules are core, required or optional.

  • Research Methodologies and Context
  • Sound Arts Skills
  • Sound Design Skills
  • Sound Production Skills
  • Sound Production Creative Project
  • Sonic Architecture
  • Sound Design Practice
  • Intertextuality In Sound Production
  • Visual Music
  • Post Production
  • Major Project
How will I be assessed?

You’ll be assessed entirely on coursework. The majority of this will be practical and creative work, including the dissertation-equivalent Major Project.

Some practical projects are accompanied by short informal written assignments, and for the Research Methodology and Context module you’ll produce a more substantial paper.

How will I be taught?

Most modules are taught through small-group seminars and workshops, where you’ll benefit from close interaction with tutors and peers.

The Major Project and parts of the other modules are taught through individual tutorials where the focus will be entirely on your own practice. In the Skills Portfolio, we make use of a "flipped classroom" model, where you work through online materials at your own pace, supported by intensive troubleshooting sessions with tutors.

To find out more about how we teach and how you'll learn, please read our Learning and Teaching Delivery Statement.



You can use the course to develop an individually-tailored portfolio of skills. This will equip you for the current employment landscape, where a combination of traditional music roles is required, alongside broader practice in sound and other media.

The course also provides the breadth necessary for FE and HE teaching in the field, and provides the basis required for PhD research and beyond.

Facilities and resources

Where the subject is taught

As an MA Sound (Production) student you’ll be taught at Newton Park campus. You’ll benefit from access to:


MA Sound (Production) students can hire out equipment using SISO, Bath Spa University’s free equipment loan service. We provide a huge variety of equipment, including studio microphones, contact mics, hydrophones, and portable recording equipment, as well as cameras and videography equipment.


Please note: Students from the EU, EEA and Switzerland are not generally eligible for the UK (Home) fee status. Please refer to the international student rate. Irish citizens and those granted Settled status under the EU Settlement Scheme are eligible for UK (Home) fee status. There are also other circumstances where this may apply: See UKCISA for more information.

UK students full time
Course fees
2022/23 entry £8,065
2023/24 entry Published Jan 2023
2024/25 entry Published Jan 2024
UK students part time

Fees shown below are for part time study over two years, although some courses may be available over longer periods.

2022/23 Entry

Course fees
Year 1 £4,033
Year 2 Published Jan 2023

2023/24 Entry

Course fees
Year 1 Published Jan 2023
Year 2 Published Jan 2024

2024/25 Entry

Course fees
Year 1 Published Jan 2024
Year 2 Published Jan 2025
International students full time
Course fees
2022/23 entry £15,600
2023/24 entry Published Jan 2023
2024/25 entry Published Jan 2024

Interested in applying?

What we look for in potential students

We’re looking for creative thinkers from a wide variety of backgrounds, who have a passion for working with sound and music. You’ll need to be keen to explore music making at the edge of contemporary stylistic tendencies.

Generally we look for a good first degree, 2:1 or higher. Often this will be in Music or Music Technology. However, we accept applicants with other degrees where they can demonstrate relevant experience.

How do I apply?

Ready to apply? Click the "apply now" button in the centre of this page.

Need more guidance? Head to our how to apply pages.

Interview and portfolio guidance

Your application should be accompanied by a portfolio of creative work. The nature of this portfolio will depend on your area of work. We don’t need much, two or three pieces will suffice. These might be music tracks, multimedia, documentation of performances, installations, or similar.

We’ll be looking above all for the creative use of sound in your work.

Want to apply for this year? 

Many of our postgraduate courses have a limited number of student spaces. To avoid the disappointment of the course being full, we recommend that you apply now.

Late applications (generally those made after 31 July) will only be considered if places remain on the course.

Need more information or still have questions? Contact us to discuss your situation.

Course leader: Jan Meinema

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